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The Era of AI-Generated Art and Authorship Rights

Written by Isabel Cheng on Digilah (Student Tech Research)

My Bio:

Hello, I am Isabel. I am a rising junior in high school at Stamford American International School (SAIS). As AI-generated art rapidly gains popularity and advances, questions such as its ownership, copyright, and how it applies to existing intellectual property frameworks arise. Hence, I want to explore the different perspectives toward AI-generated art and how that should be applied to the law with my research article below.

Section 1: Understanding AI-Generated Art

If you are familiar with the concept of Artificial Intelligence (AI), you know that they are algorithm models that programmers train on extensive databases. They analyze vast amounts of data fed to them and learn patterns so they know how to respond to act. However, the technology itself cannot think on its own or create original ideas.

Likewise, AI-generated artworks are created through machine learning models. The databases of images and artworks they are fed with are often without the permission of their owners. With that said, how is AI-generated art affecting the artistic landscape, and where does this technology stand in terms of authorship and the legal status of AI as a creator?

Section 2: Popular Generative AI Websites

Let’s talk about some of the most popular AI generative websites. First off, is Midjourney. Launched in early 2022, it is one of the most recognized AI image/art generators. Though it has a $10-20 USD monthly subscription fee, it is known for giving the best quality pictures fast, which has attracted a substantial user base.

Midjourney Showcase Page (Source: Midjourney Feed)

Leonardo AI, also launched in 2022, has a relatively beginner-friendly interface along with refined tools for paying professionals too. Its free version operates on a token system that resets on a daily basis, allowing users to generate images based on prompts. It produces images relatively well based on the prompts, and compared to Midjourney, it is more customizable because it has a larger variety of style options.

Leonardo AI Home Page (Source: Leonardo AI)

Ideogram, another AI generator that is gaining traction, also caters to a wide audience. It has a range of pricing plans catering to users of different needs. It has a free version where you are allowed up to 10 prompts a day. Its consistent performance in text-to-image generation makes it a reliable choice for many users.

Ideogram Explore Page (Source: Ideogram AI)

Dalle-E 3 is another popular image-generative AI in the market, particularly in AI artworks like drawings and paintings. Though it is still not fully developed, you can access it via ChatGPT Plus.

Notably, Dall-E 3 is one of the few AI image generators that states explicitly on its website that it is designed to refuse requests for images mimicking living artists’ styles. They also allow creators to opt their art out of future training of their image generation models.

However, challenges remain in ensuring artists receive recognition. Is a fake death certificate enough to make Dall-E 3 accept requests for mimicking a living artist’s style? What about the artists who are unaware that their work is being used to train AI models?

With that said, let us dive into the growing concerns about the unauthorized usage of artists’ art styles to train image-generating models.

Dall-E 3 Index Page (Source: OpenAI)

Section 3: Artist Recognition and Copyright Challenges in the Age of AI

Since 2023, the advent of AI generation tools has prompted many to be curious and experiment with them. This includes artists, and an increasing number of them are utilizing these tools to enhance their own work, with some feeding their own artworks into AI systems, so that after inputting a prompt, they are able to produce a new piece of art in their own unique style, all in a matter of minutes.

One wouldn’t exist without the other, and this raises questions about the relationship between traditional and AI-generated art.

In Singapore, the Copyright Act protects original creative work. The owner who made an original art piece is usually automatically given a copyright, and they are granted the right to reproduce, distribute, and display the work.

 However, when it comes to work generated by AI, a critical question arises: Does the creator of the AI, the user of the AI, the work of artists who trained the AI, or the AI itself hold the copyright? The existing framework primarily addresses human authorship, leaving a grey area for AI-generated work.

As of now, the Singapore law does not explicitly recognize AI as the creator, which complicates ownership and copyright claims to their generated artwork.  

Furthermore, Singapore’s legal system emphasizes that copyright protection is only given if the work is original. Since AI-generated art is often trained on databases with existing art, it raises questions about whether the art it generates meets the originality requirement. This could limit the ability of artists to claim copyright over AI-generated work that they incorporate their style or elements into.

As Singapore and countries around the world navigate these complexities, there is a growing consensus that intellectual property laws need to be updated to better fit the world today. Policymakers and legal experts should work together with artists and AI experts to shape a new legal landscape that protects creativity and authorship rights in this new age of AI.

Section 4: Protecting Artists – Tools and Views

Artists are increasingly turning to AI-generative-art poisoning software such as Nightshade, Glaze, Have I Been Trained, and more to protect their work from being used in unauthorized AI training.

These tools allow creators to alter the pixels of their artworks that are imperceptibly different from human eyes but will get picked up by machine learning algorithms and act as a poisoned data sample, resulting in deformed outputs from AI models.

Glaze More Info Page (Source: The University of Chicago)

However, the development of all these poisoning tools is not perfect, and most end up compromising the quality of the artwork. Additionally, some artists view the anti-poisoning software as another unnecessary step, given that another training model could come out to invalidate this approach.

Furthermore, another perspective on AI-generated art is that there is no difference between AI learning and an artist. Most artists take inspiration from other artists anyway and make their own art as a derivative of that.

AI needs artists, but if you look at human history, modern art is built upon thousands and thousands of years of art from different cultures across the globe. Artists need artists too, suggesting that AI could be seen as an extension of this creative process.

Contrary to that though, another valid argument is the idea that AI art is theft? It’s a common consensus that it takes at least 10,000 hours to learn a new skill. Most artists invest years practicing and honing their craft, while all companies do is download datasets of millions of artworks and use them to train their algorithm models.

With that, the models can then make combinations from what they “learned” and instantly generate pieces, often profiting from it through consumers without having done anything artistic themselves.

This situation is unfair to artists, as no human can feasibly digest billions of images and create amalgamations of all of them in seconds. This could lead to a culture of complacency, ultimately stifling creativity and innovation. It is concerning to consider that all “new” and “original” art could end in the next few years if lawmakers do not adequately protect artists’ rights.

However, a lot of this issue involves how AI interacts with the current intellectual copyright laws, further driving the need for policymakers to amend them.

As previously noted, law and legal experts should work together with artists and AI experts to consider adding something like an AI Commission system or requiring AI developers to get permission/credit from artists whose art is used in training datasets.

Conclusion

In conclusion, the rise of AI-generated art is both an opportunity and a challenge for artists and the legal system. Especially with the evolution of AI technology, education, and awareness are crucial for both artists and lawmakers to navigate this new landscape.

Legal frameworks need to reform and adapt so that artists, AI, AI creators, and users get fair recognition for their contributions. As we move forward, it becomes clearer that the ambiguity surrounding artistic authorship around the world has to be changed, fostering an environment where creativity can thrive alongside technological advancement.

References

https://docs.midjourney.com/docs/plans https://leonardo.ai/

https://ideogram.ai/t/explore

https://www.midjourney.com/showcase

https://openai.com/about

https://openai.com/index/dall-e-3

https://glaze.cs.uchicago.edu

https://dezgo.com/text2image/sdxl

https://lawgazette.com.sg/feature/generative-ai

https://www.channelnewsasia.com/singapore/ai-art-copyright-law-artificial-intelligence-authorship-originality-3339396#:~:text=In%20Singapore%2C%20the%20law%20holds,concerns%20around%20protecting%20their%20work.

Most asked questions

Which are the commonly used AI-generative-art poisoning softwares?

Artists are increasingly turning to AI-generative-art poisoning software such as Nightshade, Glaze, Have I Been Trained, and more to protect their work from being used in unauthorized AI training.

How can I access Dalle-E 3?

Dalle-E 3 is a popular image-generative AI in the market. Though it is still not fully developed, you can access it via ChatGPT Plus.

Most searched queries

Midjourney

Ideogram

Leonardo AI

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Categories
AI Tech Art Tech

How Technology can help India’s Traditional Craftspeople

Written by : Suki Iyer on  Digilah (Tech Thought Leadership)

A recent conversation with a friend got me thinking of the intersection between technology, design, the preservation and flourishing of traditional handicrafts, and communities. 

The Indian handicraft industry is a highly labor intensive one, with more than 7 million artisans, a majority of whom are women and largely underprivileged.

This industry, which is traditionally a major source of revenue generation in rural India, has been in decline (though there have been several efforts to support it), and has been hit hard by the pandemic as well. 

What are the glaring gaps in the market for traditional craft? (specific to India, but this could apply to the world as well). To my mind the key gaps are in design, and in business building capacities

Local artisans lack the ability to meet the needs of new markets and are forced to find low unskilled employment in urban industries. One of the major factors contributing to this is that artisans are not trained to contemporize their designs. 

In this article, I’d like to focus on design and the role technology can play in meeting the current gaps. 

While some work has been done on modernizing design, a lot of craft continues to center around traditional design, often not appealing to modern sensibilities, and thus not being able to build the foundation of a sustainable business. How can technology help? For example, AI techniques have been leveraged for emulating creativity and imagination – for image generation, style-transfer, image-to-image translation; for pattern generation, and color-transfer etc.  

An interesting study (Raviprakash et al., May 2019) describes how AI techniques can be used to contemporize design, while keeping the underlying technique unchanged. It generated colored motifs and patterns that can be manufactured into physical products. This study experimented with using AI on the popular IKAT weave. Unlike other dyeing techniques, in IKAT the yarn is dyed BEFORE it is woven. This is what gives it its unique shading effect. This property was harnessed by the researchers to create a contemporary design. 

A picture containing text Description automatically generated

The researchers first used a black motif using an AI technique trained on a set of 1000 paintings from a famous European painter, Piet Mondrian, and their gray-scale counterparts. The simplicity of these paintings along with the use of only primitive colors made them an ideal choice for our approach, since the model is able to learn primitive colorization of a motif from a relatively small training dataset. 

The model used a generator which colorizes the input and a discriminator that learns to distinguish between the real paintings and the colorized images. The discriminator’s output determines the loss of the generator, which the generator tries to minimize, effectively colorizing images to make them indistinguishable from real paintings. 

These motifs were re-colored with colors of an inspiration image using a statistical approach of global color transformation, and the design was post-processed to a grid that could be readily used for dyeing, as each cell is of a single color. 

Products manufactured with designs generated using the above approach are found to be much more visually appealing than their traditional counterparts in the present market. Local artisans used these designs to manufacture and sell products successfully. A person painting a picture Description automatically generated with medium confidence

There are several such examples of how technology can modernize craft without compromising on the underlying uniqueness of a particular craft technique. 

Investments need to be made in building such design capacity amongst artisans so they can once again take their place as valued centers of their communities. 

Suki Iyer

Most searched question

How can we preserve our culture and tradition?

What can be done to help folk arts and crafts survive via technology in India?

Most searched queries

New Craft Technology

Handicrafts selling websites in India


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